Choosing the dress of your dreams is difficult enough, and there are so many dresses to choose from, knowing the proper
terminology is the key to narrowing down the selection and choosing what best suits your figure.
You can search the term either by categories or alphabetically.
|
A |
|
A-line skirt |
Flat across the front and gradually widening to
a full hem, generally gathering to a train in
back.
|
|
Alencon |
A delicate floral or leaf design on a fine net
background, outlined with heavy threads to
define the pattern and add more dimension. |
|
Ankle length |
Barely reveals the ankles, just a bit shorter
than floor length. |
|
Antebellum waist
|
Natural waistline that dips 2 or 2 1/2 inches to
a point in the center front. |
|
Appliqué
|
Decoration created by attaching pieces of fabric
or lace to the gown. |
|
Apron |
Overskirt which joins in the back of the gown at
the waist, but not at the hem. |
|
Asymmetrical waist |
Begins at the natural waistline and falls to one
side. |
|
B
|
|
Ballet skirt |
Full skirt that reveals the ankle. |
|
Ball gown |
A natural, basque, or dropped waistline and very
full skirt |
|
Ballerina length |
Hemline falls to just above the ankles. |
|
Balloon sleeve |
Very large poufed sleeve extending from the
shoulder to as far as the wrist. |
|
Basque waistline |
Elongated waist, approximately 2 inches below
the natural waist. May dip to a point in the
center front. |
|
Bateau (or boat)
neckline |
Generally forms a straight line across the
shoulders, often dipping a bit in front. May or
may not reveal the shoulders. Usually trimmed
with lace. |
|
Battenberg |
A heavy lace made with patterns of linen braid
and tape connected with decorative linen
stitching. |
|
Bell sleeve |
Narrow at top, the sleeve is wet into a
normal-sized armhole that flares at its bottom
edge like a bell. |
|
Bertha collar |
Nine to 18 inches of fabric or lace attached all
around neckline (or yoke). May or may not
reveal the shoulders. |
|
Bird cage |
Stiff, wide-mesh veil pinned to the crown of the
head, covering the face and ears to just below
the chin. |
|
Bishop sleeve |
Gathered and full to the cuff (which may be
elongated), but not as full as a poet sleeve. |
|
Blouson |
Fabric is gathered just at or below the waist,
creating a oft fullness. |
|
Blusher veil |
A short, single veil worn forward to cover the
bride's face as she enters the ceremony and worn
pushed back afterward, attached to a longer
veils. |
|
Bouffant skirt |
Very full. |
|
Brush train
|
The shortest train, just a bit of extra length
that brushes the floor. |
|
Bubble skirt |
Attached to the lining at the hemline to create
a very full effect. May be used with any waist,
can be any length, can even be a double-double. |
|
Bustle |
Exaggerated gathering of fabric, or a gathering
of fabric caught up with detail, at the back of
the gown. |
|
Bustier |
A bodice style which has no straps or sleeves.
Many religious sites do not allow them and you
will need to buy a coordinating jacket for your
service. Also known as a
Strapless or
Corset |
|
C |
|
Cap sleeve |
Short, fitted sleeve, perhaps of lace, that
barely covers the top of the arm. |
|
Cathedral train |
Extending a full 2 1/2 yards from the waist. |
|
Chantilly |
A web-like floral pattern on a lace background
outlined with silk threads; soft to the touch. |
|
Chapel train |
Falling about 2 yards (75 inches) from the
waist. |
|
Circular skirt |
Attached smoothly at the waist and falling to
form a complete circle at the hemline. |
|
Court train
|
Slightly shorter than chapel length. |
|
Cut-outs |
See-through effect created by lace
appliqué with
the fabric cut out beneath. |
|
D |
|
Décolletage |
Plunging neckline that reveals cleavage. |
|
Detached train |
Joined to the gown with hooks and eyes or
velcro. Usually full at top. |
|
Details |
Small ornaments to the gown, such as bows,
special beading or embroidery. |
|
Dolman sleeve |
Joined with the bodice above the elbow.
Fullness tapers down to a fitted forearm. |
|
Drop Waist |
A good waistline to help add height, this
straight waistline falls 3 to 5 inches below the
Natural Waist |
|
E |
|
Effect |
Term that describes impression created by
designer's use of various details. |
|
Empire |
A high waist that starts just beneath a fitted
bodice and a slim skirt. |
|
Empire waistline |
Skirt attached to the bodice just below the
bustline. |
|
F |
|
Fingertip veil |
This term describes a tier of veiling that is
approximately 29" to 42" in length. It comes to
your fingertips. |
|
Fitted bodice |
Designed to hug the body. (Can be very
restrictive and uncomfortable) |
|
Fitted sleeve |
Traditional long sleeve with very little or no
fullness. |
|
Floor length |
Hemline falls just 1/2 or 1 1/2 inches from the
floor. |
|
Flounce |
A wide piece of fabric or lace, gathered and
attached at the hem. |
|
Fly-away |
Multi-layers that brush the shoulders, usually
worn with an informal dress. |
|
Full skirt |
Slightly less full than bouffant. |
|
G |
|
Gauntlet |
Wrist and arm covering of lace or fabric that
replaces gloves. |
|
Gibson sleeve |
Full at the shoulder, although more controlled
that leg-o'-mutton, and fitted at the wrist. |
|
Godet |
Triangular piece of fabric inserted into a seam
to give fullness or shape. |
|
Guipure |
A heavy lace designed to show large patterns
over a coarse mesh background. |
|
H |
|
Half hat |
A small hat covering half or less of the crown. |
|
Halo headpiece |
A fabric-and-wire band that circles the forehead
(may be decorated with pearls, sequins, or
flowers). |
|
Halter neckline |
Fastens at the back of the neck, plunging down
into a V-front, leaving the back bare. |
|
Handkerchief hem |
A tea length skirt made of panels which end in
points at the hem. |
|
I |
|
Illusion neckline |
A transparent panel or yoke attached to the
bodice that extends from the bust to the collar;
constructed of tulle, net, or lace. |
|
Intermission or HI-LO |
Hemline falls to the mid-calf in front, floor
length in back. |
|
J |
|
Jewel neckline |
Circles the natural neckline, usually not
trimmed with lace. |
|
Juliet cap |
A small cap that hugs the back of the head. |
|
Juliet sleeve |
A long sleeve with a poufed top and fitted lower
arm. |
|
L |
|
Leg-of-Mutton Sleeve |
Very full puff at the shoulder with a fitted
forearm. |
|
Lyon |
An intricate, ornamental design delicately
stitched onto a net background; the pattern is
outlined in silk or cotton. |
|
M |
|
Mantilla |
Lace-trimmed veiling that frames the face and is
usually secured with a comb or hairpins. |
|
Mermaid
|
A body-hugging style with a skirt that flares at
or just below the knee. |
|
Mini length |
Skirt ends above the knees. Some designs
include detachable overskirts which may be
removed for the reception. |
|
N |
|
Natural waistline |
Bodice and skirt of the gown join at the natural
waist. |
|
P |
|
Panniers |
Exaggerated gathers, possibly supported by a
cage, worn over the hips with a flat front. |
|
Peek-a-boo sleeve |
Puff sleeve with different fabrics or skin
showing through from beneath. |
|
Peplum |
A short overskirt or flounce attached at the
waist. |
|
Picture hat |
A wide-brimmed hat usually decorated with lace,
pearls, or sequins. |
|
Pillbox |
A round, structured, brimless hat worn on the
top of the head. |
|
Poet sleeve |
Pleated at the shoulder line with fullness
through the sleeve to the cuff. |
|
Point D'esprit |
Oval or square dots woven in a pattern on net
fabric. |
|
Point sleeve |
Any long sleeve that ends below the wrist in a
point of fabric or lace on the top of the hand. |
|
Pouf |
Fabric of an overskirt caught up with lace,
beading or ribbons. |
|
Pouf veil |
Short, gathered veiling attached to a headpiece,
usually worn with an informal dress. |
|
Pouf sleeve |
A short, full and gathered sleeve; can be worn
on or off the shoulder. |
|
Portrait neckline |
Wraps around the shoulders leaving them
completely bare. |
|
Princess |
Fitted, multiple vertical panels extending in an
A-line from the bust or shoulders to the hem
with no defined waistline. |
|
Profile headpiece |
A floral comb worn asymmetrically on one side of
the head and adorned with lace, pearls, or
crystals. |
|
Puff sleeve |
Very full, short sleeve that ends above elbow.
May be worn on or off the shoulder. |
|
Q |
|
Queen Anne neckline |
Higher on the sides and back of neck, open to
the bra strap line, and ending in a sweetheart
shape. |
|
Queen Elizabeth
neckline |
High portrait collar that stands up in the back
and closes in a vee in front. |
|
R |
|
Raised waistline |
Approximately 1 inch above the natural
waistline. |
|
Royal train |
Very longest train length, extending more than 3
yards from the waist. |
|
S |
|
Sabrina neckline |
Straight neckline that begins 2 inches inside
the shoulder line, often trimmed with lace. |
|
Schiffli |
Intricate floral pattern (similar to Alenćon
lace, but lighter) embroidered directly onto the
gown. |
|
Scoop neckline |
A rounded, low neckline, dipping from the
shoulders to just above the bustline. |
|
Sheath |
Straight, fitted gown , often floor length. May
be worn with a detachable train. |
|
Shirred waistline |
Gathered fabric that creates a horizontal panel
of 3 or more inches at the waist. |
|
Snood |
Netting (may be decorated with pearls, sequins,
or flowers) worn at the nape of the neck to
cover the hair (usually in a chignon). |
|
Square neckline |
A half-Square or rectangle shaped neckline. |
|
Strapless |
A bodice style which has no straps or sleeves.
Many religious sites do not allow them and you
will need to buy a coordinating jacket for your
service. Also known as a
Bustier or
Corset |
|
Strapless neckline |
Reveals the shoulders and usually has a matching
cover-up to be worn during the wedding service. |
|
Street |
Hemline falls to just cover the knee. |
|
Sweep train |
Just longer than a brush train. |
|
Sweetheart neckline |
Open neckline that begins 2 inches inside the
shoulder line and shaped like a heart. |
|
T |
|
Tea length |
Hemline falls several inches above the ankles. |
|
Tiara |
Ornamental crown of pearls, crystals,
rhinestones, or lace worn on top of the head. |
|
Tiered skirt |
Falls in a series of multiple layers of
graduated length. |
|
Tulip sleeve |
A set-in sleeve with overlapping fabric that
curves into a petal-like shape. |
|
Train |
Fabric of the gown that trails behind the bride. |
|
Trumpet (or mermaid)
skirt |
Flares at or below the knee. |
|
V |
|
Venise |
Heavy floral or leaf pattern in needle point
with motifs connected in lines. |
|
W |
|
Waistline |
Point at which the bodice and skirt are joined |
|
Watteau
|
Train that is attached at the shoulders, rather
than at the waist, of the gown. |
|
Wedding band collar |
Traditional high neckline, often of lace,
encircling the base of the neck. |
|
Wreath |
A circle of flowers that sits above the crown of
the head or lower, encircling the forehead. |
|
Y |
|
Yoke |
Fitted fabric at neckline, shoulders or hips to
which gathered or pleated fabric or lace is
joined. |